Cyclic Cross-Coupling¶
What it is¶
Give a hard pitch input and the helicopter also rolls a little. The frame, heavy around the pitch axis, lags behind the rotor disc; the difference loads the rotor, and through gyroscopic precession that load comes out as a roll. You can see it:
- at the stops of tic-tocs, as the centre of the rotor rotating a little;
- in a hover, by shaking the elevator stick back and forth -- the helicopter tilts in roll and drifts in yaw.
Cyclic cross-coupling compensation feeds a little of the pitch command (how fast it's changing) into roll, so the two effects cancel.
Settings¶
On the Profiles tab:
| Setting | Default | |
|---|---|---|
| Cyclic Cross-Coupling | on | Enables it. |
| Cross-Coupling Gain | 50 | Strength of the pitch-to-roll compensation. |
| Cross-Coupling Ratio [%] | 0 | Adds the opposite (roll-to-pitch) compensation, as a percentage of the pitch-to-roll. |
| Cross-Coupling Cutoff [Hz] | 2.5 | How fast the compensation acts. |
Tuning¶
Tune this early, while the gains are still soft and the coupling is easy to see.
- Hover and shake the elevator stick, or fly tic-tocs.
- If the helicopter rolls, raise the gain in small steps until the roll is gone, or until raising it stops making a difference.
- Check with piro-flips: cross-coupling compensation changes how the helicopter responds at different points of the piro-flip, so increase it gradually to get used to the feel.
Stiffer main rotor dampers usually need less gain.
Constant cross-coupling¶
Very hard dampers, a very low headspeed or some head designs can leave the blades' flapping hinge off-centre. Then the coupling is constant rather than only during pitch changes. The ratio setting can help with that.